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Thanks to the understanding of the librarian Petr Mašek we were allowed to study and photograph four rare volumes from Baskerville’s printing office, dating from about 1760.We selected as the most successful models for the digitization of this typeface its Roman and italics in the size of about today’s 14 points, which Baskerville used for the printing, among other things, of his folio Bible in 1763 and Vergil’s works in Latin in 1757.Powered by v Bulletin Copyright, Jelsoft, enterprises Ltd. "The ' Kim Possible' Dream Can Cartoons Be Judged Not by Their Sex, but by the Content of Their Characters? When we tested it, the kids were like: ' Oh, Rons stupid funny' and that became sort of a buzz phrase." 29 The series maintains "legions" of devoted fans.Kim Possible as a show about a smart, talented teenage action heroine and her less competent sidekick.
She was already a powerful force behind the scenes, writing most of the Runaways' songs.
She had two more hit singles that year with her version of Tommy James' "Crimson and Clover" and Gary Glitter's "Do You Wanna Touch Me (Oh Yeah)." with Michael J.
The film failed with critics and at the box office, but she had a minor hit with the theme song, a Bruce Springsteen cover.
Baskerville perhaps anticipated certain elements known from Bodoni and Didot, which is why nowadays everybody calls it a “transitory” phenomenon.
A detailed evaluation of Baskerville’s heritage, however, remains a task for historians.