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Very few deviations can be observed by some larger firms and those are usually subtle.The vast majority of these workshops, not only in Dresden, but also in other regions such as Bavaria or Volkstedt and Berlin (KPM), and even further in Austria, that by now has established their own industry of porcelain production, felt that Meissen’s examples were by far the most popular and knew they had a winning formula to conquer the prevailing tastes of their clientele.Dresden decorators were the first and most successful to employ the style on dinnerware decorated with elaborate and fanciful designs using a profusion of foliage, flowers, fruits, shells and scrolls.Between 18, Dresden housed over 200 painting shops; but the dresden style is always associated with wares bearing the blue crown mark first registered by Richard Klemm, Donath & Co., Oswald Lorenz, and Adolph Hamann in 1883 and the type of wares they produced.In fact, many worked primarily at Meissen during the day and supplemented their income by helping at these workshops.As a consequence, the quality of their items was almost equal in workmanship and detail to those made at Meissen but were usually smaller in size.In 1883, in response to the exciting developments happening all around them, four prominent ceramic decorators registered the famous Dresden blue crown mark, and the widely popular dresden style was born.This misunderstanding also dates back to the early years when the secret of European hard paste porcelain, was discovered under the commission of Augustus the Strong in the city of Dresden.
Although this was somewhat accurate to an extent since most blanks were supplied by them and many of their artisans also worked there, some marks used by the various independent workshops were remarkably similar to the famous Meissen’s crossed swords or they blatantly used the word on their products.The underside marked with underglaze double crossed swords marks. 20th century, the lace porcelain figures of ballerinas, ladies in crinolines and two male musician figures all in 18th century pastel hued attire, some supported on rococo style bases; with various Dresden marks Show 1 more like this Unterweissbach Dresden lace 'The Sedan chair' figure group. Show 9 more like this A rare Yardley Lavender lady figure showing a mother and her two young girls as Lavender sellers.Unterweißbach Dresden lace 'The Sedan chair' figure group depicting a lady exiting a sedan chair as two men rush in competition for her attention. Based on Wheatleys Primrose sellers from his cries of London.DRESDEN is a town located near Meissen (Germany) and is well-known for its myriad of Porcelain Decorating Workshops & Studios since the mid-18th C.Within a few years after the main Royal Porcelain Factory in Meissen opened its doors ca 1710s, producing some of the finest and definitely the very first European specimens in porcelain, several artisans from various parts of the country flocked to the area to add their significant contribution in decorating figurines and other objects.