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Maybe not quite as extreme as the ’60s, 1950s fashion saw the introduction of many new styles as well as many styles that paid homage to the 1920s. Some women really like the snug fit of the Dior dresses while others liked the dresses with no waistline, often referred to as “sack dresses.”The important thing is that people were beginning to feel a little more freedom when it came to their fashion choices.
No longer did people feel like they had to conform to a certain look for certain situations.
In the spring Dior first showed a dress slim to the knees and then breaking into pleats which developed by the autumn into the full flare of the trumpet skirt.
This, in day and evening versions, swung in heavy pleats or stiffened flares, from knee-level, below the simplest of sheaths.
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Fashion remained deliberately fluid, throwing out feelers in all directions, when they all swing one feelers were cast in the direction of the 1920s, especially by Hardy Amies in London, who showed suits with straight unbelted hip-hugging jackets over straight skirts.
In Paris, too, Dior launched a “vertical line” — sheath dresses whose narrow straightness was emphasized by fine pleating or tucking, or by narrow ribbon bands running from neck to hem. The basis was a figure-fitting sheath, but only in certain instances was this left in a simple, uncompromising form.